Hannah Parsons is a queer dance artist, choreographer and performer based in London and Oslo, and working across Europe. Hannah’s practice explores voice and sound, applying a choreographic approach to sound, and a sonic approach to movement making. She creates performances with the collective Unbaptised Infants (UK/ES) most recently with the work RITUAL created and performed throughout Spain and the Basque Country. As a performer they currently work with Simone Mousset in Empire of a Faun Imaginary (LUX/FR/UK), and Elinor Lewis with the work TIMBER. She has previously worked with artists including Marina Abramovic, Martin Creed, Joe Garbett, and Seke Chimutengwende, amongst others. Hannah has performed at galleries including the Tate, the Hayward Gallery, the Serpentine, La Casa Encendida (Madrid), and Artium (Basque Country), and theatres Sadler’s Wells, Les Hivernales (Avignon), Dansens’ Hus (Oslo). Hannah graduated from Laban with a BA in Contemporary Dance in 2014.
Davvi – Centre for Performing Arts is a hub and a gathering point in Northern Norway for the professional independent Performing Arts community. The organization is a laboratory for new ideas, artistic research, and an open space where different cultures are cared for. We challenge hegemonic thinking and support cross-sectorial artistic working and thinking. We are staff of 11 curios people, we are placed in Hammerfest, Tromsø and Bodø and we are a space that offers residency, laboratories and producer services.
HELLERAU acts as an interdisciplinary and international centre for dance, performance, music, theatre and media arts. It offers spaces for productions, festivals, concerts performances, exhibitions and discourse, cooperates with various regional cultural partners and is firmly connected internationally. An important part of HELLERAU is a residency program, which offers opportunities for artistic research, networks, production and encounters throughout the whole year.
The purpose of UP is to develop and upskill the independent performing arts throughout Denmark. We define the free and independent performing arts as individuals, collectives and companies who work professionally with performance and primarily for and with independent performance groups, project supported companies, and lesser established theatres. Often without permanent access to a stage or a venue.
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Funded by the European Union. Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the European Education and Culture Executive Agency (EACEA). Neither the European Union nor EACEA can be held responsible for them.