Dance artist, performer and choreographer based in Oslo. Olivia is dedicated to the practice of performance and this work has taken her to international stages in both independent and dance company environments. Notably with Candoco Dance Company 2017-22, she performed the work of makers: Jeanine Durning, Yasmeen Godder, Trisha Brown Company, Jerome Bel, Eun Me Ahn, and Jo Bannon. Olivia collaborates as a performer/choreographer in other contexts in mixed-media environments, most recently in Switzerland with River Being (2022). She studied Contemporary Dance (BA) at Laban 2012-15, and has an MA in Dance Performance, Laban 2015/16. The practice of performance and the labour of the dancer is her main motivation and fire. Olivia wants to build and be exposed to more performative experiences, to work in the material of the dancing performing body.
Davvi – Centre for Performing Arts is a hub and a gathering point in Northern Norway for the professional independent Performing Arts community. The organization is a laboratory for new ideas, artistic research, and an open space where different cultures are cared for. We challenge hegemonic thinking and support cross-sectorial artistic working and thinking. We are staff of 11 curios people, we are placed in Hammerfest, Tromsø and Bodø and we are a space that offers residency, laboratories and producer services.
HELLERAU acts as an interdisciplinary and international centre for dance, performance, music, theatre and media arts. It offers spaces for productions, festivals, concerts performances, exhibitions and discourse, cooperates with various regional cultural partners and is firmly connected internationally. An important part of HELLERAU is a residency program, which offers opportunities for artistic research, networks, production and encounters throughout the whole year.
The purpose of UP is to develop and upskill the independent performing arts throughout Denmark. We define the free and independent performing arts as individuals, collectives and companies who work professionally with performance and primarily for and with independent performance groups, project supported companies, and lesser established theatres. Often without permanent access to a stage or a venue.
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Funded by the European Union. Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the European Education and Culture Executive Agency (EACEA). Neither the European Union nor EACEA can be held responsible for them.